With a flexible roster of 33 leading instrumentalists performing in forces ranging from solos to large ensembles, the International Contemporary Ensemble (ICE) functions as performer, presenter, and educator, advancing the music of our time by developing innovative new works and pursuing groundbreaking strategies for audience engagement. In an era of radical change, ICE redefines concert music as it brings together new work and new listeners. For concert info, projects videos and more, go to iceorg.org


The Harrisburg Symphony Orchestra can be traced back to the early 1930s when a group of dedicated and resourceful music lovers decided, against all odds, to form a symphony in the city of Harrisburg. The country was in the throes of the Great Depression, but the group forged ahead, giving their first concert at William Penn High School in Harrisburg on March 19, 1931. The conductor on that occasion was George King Raudenbush, who was to become the orchestra’s first music director. By the end of 1931 the orchestra had moved its concerts to the newly-opened Forum Auditorium in the Education Building, part of the Capitol Complex, where it still performs to this day. The 1931-32 season included four concerts. The cost of a subscription: $2.00!

Now entering his 14th season as Music Director and Conductor of the Harrisburg Symphony Orchestra, Maestro Stuart Malina has built a reputation for orchestra building and multi-faceted versatility. In a wide variety of concerts, from masterworks and grand opera to pops, Maestro Malina’s ease on the podium, engaging personality, and insightful interpretations have thrilled audiences and helped to break down the barriers between performer and listener wherever he has worked. Purchase tickets here.



In music, the term talea (literally, “cutting” in Latin) refers to collections of repeating, cycling rhythmic patterns. Most often, these patterns are associated with the ars nova period of Medieval music in which new techniques of musical composition were emerging.Talea has also been used in several other traditions including Indian classical music (tala in Sanskrit – a wonderful linguistic coincidence), and throughout the ages in Western music, from the composer Guillaume de Machaut in the 14th Century to Olivier Messiaen and Gérard Grisey in the 20th Century. This idea of a global, timeless, and cutting-edge musical practice, inventive in its construction and beautiful in its execution, is at the root of the Talea Ensemble’s artistic direction. See here for projects.